简介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

简介：本片改编自威尔斯的小说。讲述一位科学家在岛上进行人兽杂交的实验，试图制造出伟大的超人。然而屡次地失败却产生了可怕的后果：大量的畸形人。他们受到奴役和虐待。一次海难使一批英国人登上了这个小岛，科学家试图用一个豹女和一位客人交配。最后，那些畸形人造反并推翻了这个邪恶的科学家。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：聚焦詹姆斯和艾米，他们年轻富有、处于热恋中，在费用全包的度假村海岛和闪闪发光的海滩享受假期。但在酒店门外，存在着更危险、更诱人的东西，让人飘飘欲仙。

简介：A young Mexican woman crosses the border in search of the American dream, only to instead find her worst nightmare lying within.…

简介：一场灾难降临，大多数的人类被丧尸病毒吞噬，人类在变成丧尸的早期会残损人性与部分记忆。恩泽在独自前往×中学寻找疫苗时意外发现了丧尸女孩小希，善良而美丽的小希让恩泽不忍下手。恩泽在小希的帮助下，发现疫苗实验室早已被丧尸组织控制着，在与丧尸组织的较量中，他渐落下风险被围杀最终被一对丧尸gay救下。重回人类世界的小希和恩泽经历了万千磨难与生死离别，最终恩泽为救小希中枪变成丧尸。在最后较量中，恩泽终难敌丧尸组织头目萧震，生死间隙，小希用神秘力量拯救了恩泽也暂时唤醒了丧尸……二人冲向疫苗实验室时，却发现疫苗意外全部被打碎……在丧尸闪回部分记忆和人性后，他们用全部的力量完全了疫苗的最后研制……人类社会回复正常，一切罪恶都将被宽恕。

简介：讲述外星人八次入侵地球遭到挫折，这是第九次尝试，并且跟僵尸联合起来。在这部电影里不但有僵尸、吸血鬼、外星人，还有用金属箔片扎制的太空服装、纸盘子叠的宇宙飞船和大量能看得你直翻白眼的低级特效……

简介：卫斯理（李子雄 饰）的朋友李同（刘锡贤 饰）每晚都受到楼上的噪音侵扰，无法入眠。某晚他终于忍无可忍，上楼质问，发现楼上住着一个老人、少女（叶蕴仪 饰）和一只黑猫。次日楼上住户搬家，李同一方面好奇他们夜间的举动，一方面被女孩和黑猫的神秘气质所吸引。他走进楼上单元查看，却看到一滩血淋淋的猫的内脏?！　?#26446;同将此事诉于卫斯理，后者直觉认为女孩系外星生物。事实正如卫斯理所料，来自外星的女孩和黑猫因故滞留地球，只有找到八角器才能帮她们重返故乡，而另一方面，外星杀手则欲置她们于死地……

简介：贪欲和邪念横行世间，愚蠢的人类不断开发大规模杀伤性武器，原子弹、氢弹，甚至足以毁灭地球和宇宙的太阳弹也在开发之中。某高度发达的外太空文明为了阻止地球人的自毁行为，想尽办法进行劝阻。但地球人拒绝外星人的规劝和存在，转而兵戎相向。万般无奈之下，外星长官依洛（Dudley Manlove 饰）启动第九号计划，将已死去的人类复活，让僵尸四处为虐已警示人类。　　一时间飞碟和凶案接连出现，军方、警方以及民间纷纷联合起来，以摧毁外星人的入侵计划……

简介：正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物?！　?#30127;狂之旅就此展开……

简介：拍摄外星人入侵题材的电影无外乎从两方面入手：要么笔调轻快，要么手法沉重。其中并无捷径可寻，也不可能草草绕过了事。但遗憾的是《外太空杀人小丑》仍然试图寻找一条中庸之道，于是他们选中了“马戏团”这个中介。想象一下所谓的惊天大阴谋就是一群穿着小丑服的外星侏儒在地球上大肆破坏，用激光射线枪把人类变成喷喷香闪闪亮的棉花糖——除了让人眼花缭乱一番之外，恐怕很少有人能真正进入情节并真正理解。　　实际上《外太空杀人小丑》是一部具有强烈超现实主义风格的影片，几乎没有什么娱乐性，核心题材也不那么拿人眼球，所以有点不太容易令你坐下来，安安稳稳地把电影看完。而对于大多数人来说，如果一部关于外星小丑的电影拍的一点也不滑稽，那还有什么可看的呢？不过幸运的是，在后来的一大堆类似题材的电影中，这一部算是优秀的了。